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Extremely Loud and Incredibly Close is a 2005 novel by Jonathan Safran Foer. The book's narrator is a nine-year-old boy named Oskar Schell. Two years before the story begins, Oskar's father dies on 9/11. In the story, Oskar discovers a key in a vase that belonged to his father that inspires him to search all around New York for information about the key.
Contents [hide]
1 Narration
2 Criticism
3 Film adaptation
4 Comparisons to The History of Love
5 See also
6 References
7 External links
[edit]Narration
The main narrator of the story is a nine year old child, Oskar Schell, an intellectually curious and sensitive child of Manhattan progressives. He is a pacifist, a vegan, musical (he plays the tambourine), academically inclined, and above all, earnest. Two additional narrators, Oskar's paternal grandparents, tell the story of their childhood, courtship, marriage, and separation before the birth of Oskar's father; much of their story is presented as a series of letters addressed to Oskar or his father.
[edit]Criticism
Critical response towards Extremely Loud and Incredibly Close has been generally less positive than for Foer's first novel; John Updike, writing for The New Yorker, found the second novel to be: "thinner, overextended, and sentimentally watery", stating that "the book’s hyperactive visual surface covers up a certain hollow monotony in its verbal drama".[1] In a New York Times review Michiko Kakutani said, "While it contains moments of shattering emotion and stunning virtuosity that attest to Mr. Foer's myriad gifts as a writer, the novel as a whole feels simultaneously contrived and improvisatory, schematic and haphazard."[2] Kakutani also stated the book was "cloying" and identified the unsympathetic main character as a major issue. Harry Siegel, writing in New York Press, bluntly titled his review of the book "Extremely Cloying & Incredibly False: Why the author of Everything Is Illuminated is a fraud and a hack", seeing Foer as an opportunist taking advantage of 9/11 "to make things important, to get paid" while also adding "The writers who make it get treated as symbols. Whitehead gets compared to Ellison, because they're both black; Lethem writes a book about race invisibility, but since he's a white boy, no one thinks to mention Ellison. In the same vein, Foer is supposed to be our new Philip Roth, though his fortune-cookie syllogisms and pointless illustrations and typographical tricks don't at all match up to or much resemble Roth even at his most inane. But Jews will be Jews, apparently."[3] Anis Shivani said similarly in a Huffington Post article entitled "The 15 Most Overrated Contemporary American Writers", claiming Foer "Rode the 9/11-novel gravy train with Extremely Loud and Incredibly Close, giving us a nine-year-old with the brain of a twenty-eight-year-old Jonathan Safran Foer".[4]
[edit]Film adaptation
Main article: Extremely Loud and Incredibly Close (film)
A film adaptation of the novel is in production as of April 2011. The script has been written by Eric Roth, with Stephen Daldry directing.[5] Tom Hanks, Sandra Bullock, John Goodman, Viola Davis, and Jeffrey Wright are attached to star,[6] alongside 2010 Jeopardy! Kids Week winner Thomas Horn, 12, as Oskar Schell.[7] The film is being produced by Paramount Pictures and Warner Bros. and set to be released in 2012.
[edit]Comparisons to The History of Love
Extremely Loud and Incredibly Close was published in early 2005 as was The History of Love, written by Nicole Krauss who had just married Foer. Both books feature a precocious youth who set out in New York City on a quest. Both protagonists encounter old men with memories of World War II (a Holocaust survivor in Krauss and a survivor of the Dresden firebombing in Foer). Both old men recently suffered the death of long-lost sons. The stories also use some similar and uncommon literary techniques, such as unconventional typography
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